Which of the following is NOT an advantage of printed music、

试卷相关题目

• 1The main idea of the first paragraph is _____.

  A.the importance of cultural tools and technology

  B.the cultural influence of the development of civilization

  C.the focus of the study of the material culture of music

  D.the significance of the research into the musical instruments

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• 2The word "phonograph" (Line 5-6, Paragraph 1) most probably means_____.

  A.record player

  B.radio

  C.musical technique

  D.music culture

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• 3Which of the following does not belong to material culture、

  A.Instruments.

  B.Musi

  C.C.Paintings.

  D.Sheet music.

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• 4Which of the following is the main point of the text、

  A.The development of the Internet.

  B.The possibility of space research.

  C.Universal information superhighway.

  D.The technological advances of the Mars mission.

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• 5We know from the text that the Mars mission is _____.

  A.one of NASA’s internet projects

  B.an expedition to Mars

  C.the infrastructure of the interplanetary Internet

  D.to create an architecture on Mars

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• 6From the third paragraph, we may infer that_____.

  A.traditional cultural heritage is worthy of preservation

  B.the universal features shared by all cultures aren’t worthy of notice

  C.musicians pay more attention to the preservation of traditional music

  D.the more developed a culture, the more valuable the music it has fostered

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• 7As more and more material from other cultures became available, European scholars came to recognize even greater complexity in mythological traditions. Especially valuable was the evidence provided by ancient Indian and Iranian texts such as the Bhagavad-Gita and the Zend-Avest

  A.From these sources it became apparent that the character of myths varied widely, not only by geographical region but also by historical period.A.

  D.A. B. C. D.

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• 8This approach reached its most extreme form in the so-called functionalism of British anthropologist

  A.R. Radcliffe-Brown, who held that every myth implies a ritual, and every ritual implies a myth.Most analyses of myths in the 18th and 19th centuries showed a tendency to reduce myths to some essential core-whether the seasonal cycles of nature, historical circumstances, or ritual. That core supposedly remained once the fanciful elements of the narratives had been stripped away. In the 20th century, investigators began to pay closer attention to the content of the narratives themselves.A.

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